While I was being taught Bihag, Ramaraoji would always make fun of me that I was in love with Shudhdha Madhyam of Bihag. I would always highlight it unnecessarily and very unlike bihag. It was a temptation to reach the fullness of the Madhyam with shudhdha ga. I then heard Mogubai Kurdikar's Sawni and was instantly in love with it. Yet that fullness of the Madhyam of my dream ..... remained as it is, because even in Sawni it was not that Madhyam I was looking for. growing up i heard many film songs which did give a little hue of that but not like hugging a tree.
I continued my romance with that Madhyam in my dreams ...... and ...... one day Aditi Upadhya sang that Madhyam. I just cannot forget that experience !!!!
She then told me that Dinkar ji composed the Raga Gagan Vihang and it was that Madhyam that I was in love with. Oh!!!! that fullness, that soft cotton saree feeling and the fragrance of ancientness!!!!
Dinkarji and his sense of swaras and words is something that we can keep being amazed at for centuries. The way the word Chakor lands on the Madhyam is the most beautiful experience of this compositions and the Raga.
http--www.sawf.org-audio-bihag-kaikini_gaganvihang.ram
I continued my romance with that Madhyam in my dreams ...... and ...... one day Aditi Upadhya sang that Madhyam. I just cannot forget that experience !!!!
She then told me that Dinkar ji composed the Raga Gagan Vihang and it was that Madhyam that I was in love with. Oh!!!! that fullness, that soft cotton saree feeling and the fragrance of ancientness!!!!
Dinkarji and his sense of swaras and words is something that we can keep being amazed at for centuries. The way the word Chakor lands on the Madhyam is the most beautiful experience of this compositions and the Raga.
http--www.sawf.org-audio-bihag-kaikini_gaganvihang.ram